Threshold

The level where a compressor, limiter, or gate wakes up and starts changing the signal.

when the compressor starts workingthe line that triggers the effectonly squash the loud partshow loud before the mic mutes itselfhow loud before the compressor kicks inthreshholdwhy is my compressor doing nothingset the line above the background noise

See it

Live demo coming soon

What it is

A threshold is the level that tells a dynamics processor when to act. A compressor or limiter reduces signal that rises above its threshold; a noise gate usually attenuates signal that falls below its threshold. On a digital plugin the value is normally shown in dBFS.

Set it from the material, not from a memorized number. For spoken-word compression, lower the threshold until loud phrases show roughly 3 to 6 dB of gain reduction while ordinary speech stays natural. For a gate, start just above the measured noise floor so room hiss closes the gate but quiet words still open it.

Gotcha: the threshold says when, not how much. Ratio, knee, attack, and release decide what happens after the crossing. Input gain also changes how often the signal crosses the line, so a threshold copied from another track is meaningless when that track was recorded at a different level. Some classic hardware does not even offer the control: the UREI 1176 has a fixed internal threshold, and you set the amount of compression by driving its Input knob harder.

Ask AI for it

In REAPER's ReaComp, set a 3:1 ratio, 10 ms attack, and 100 ms release, then lower the Threshold until the loudest voiceover phrases produce 3 to 6 dB of gain reduction. Leave Auto make-up off while setting the threshold, confirm quiet phrases are not being clamped, and report the final threshold in dBFS.

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compressionlimiternoise floorgain stagingdynamic range